Sowers also spent considerable time hand-balancing each arrow, studying the possibilities using computer-aided drafting software. I spent a lot of time figuring out how to mount them on the building.” And I even held them outside my car window. “I also mounted arrows outside my apartment at Baker Beach, which was great for the intense wind. Then I made a prototype panel fitted with six different arrow designs and mounted it on-site for a year of testing. “I first prototyped arrow designs in paper. I spent over a year-and-a-half designing and testing wind arrow designs,” he said. The new exhibit took four years to make, required dozens of prototypes and tests, and ultimately uses 612 individually balanced aluminum arrows spaced 1 foot apart on architectural facade material covering the side of a local museum. This piece is from the Collection of the City and County of San Francisco commissioned by the SFAC for the Randall Museum Funded by the Public Utilities Company.Īccording to a FebruS.F. “My work presents actual physical phenomena, often of striking visual beauty, that draw people into careful noticing and interaction” Here wind currents activate over 500 aluminum arrows to reveal the ever-changing ways the wind interacts with the building and its environment. The plaque that accompanies the piece reads:Ĭharles Sowers is an artist whose practice links art and science.
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